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In early 2024, Spain’s culture minister announced that the nation would overhaul its state museum collections, igniting a wave of anticipation—and controversy. As a multicultural Spaniard with extensive experience in the museum sector, I see the initiative as part of a long-overdue and much-needed reckoning with Spain’s colonial past.
A Tanzanian historian and poet conjures alternative engagements with Black African women who were marginalized by violent colonial histories and imprisoned in the archives. My Imagined Archive was where I could envision what conversations with those who do not appear in official records could sound like.
The human urge to collect and preserve objects, what Jacques Derrida calls archive fever , takeson special significance when there is no body to bury, no grave to visit. The social life of these clothes had a shift, akin to the widely discussed binary shift from commodity to gift within anthropological discourse.
Open-access sites like Annas Archive challenge these barriers, much like underground migration networks, offering access but risking legal suppression. Even open-knowledge projects like the Internet Archive s Wayback Machine face legal threats, echoing the way public records and historical narratives are censored.
In museumarchives, researchers found photos of remains from Paleolithic children who had belonged to a group of early Homo sapiens in Eurasia. In a museum basement, we huddled over a black-and-white photograph showing pieces of a lower jawbone and its loose teeth. Not all fossil discoveries happen in the field.
The presentation of the findings of archaeology to the public cannot avoid difficult political issues, and the museum curator and the popularizer today have responsibilities which some can be seen to have failed. These include objects significant to the archaeology, architecture, science or technology of a specified culture.
Many museums are reckoning with the colonial legacies of the human remains and cultural objects in their collections. I wondered if any people before me who utilized his remains for their research had ever pieced together his storyor even contemplated how he got to the Natural History Museum in London. No bullet holes.
The limits of collections research and digital access flashed like a neon sign when we first partnered as graduate students for an undergraduate course on museumanthropology and community collaboration. We see care for museums as an understanding of our role as stewards and as makers of physical and digital ecosystems.
Hearst Museum of Anthropology taken by colleague Linda Waterfield. Born and educated in New York City, he matriculated at Yale University in 1970, graduating in 1974 with a dual degree in art history and anthropology and a senior thesis on the Japanese tea ceremony. Two central points of his analysis deserve attention.
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