This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Some of those articles are written for mass-market publications, while others focus on specific topics and outlets ranging from nursing to Black culture to material artifacts. This writing tends to be engaging, brief, and pointed, relating history to current concerns, and spanning political perspectives.
We’d also have access to historical documents from the British Museum – such as notes from an English merchant in Syria in 1739 – and to the prisoner of war archives from the Red Cross. We could participate in a number of free Massively Open Online Courses (MOOCs), including over a dozen on Chinese History from Harvard University.
I started learning about the diaspora through books and archives when I attended a historically Black university (HBCU) for graduate school. From studying African and Black Americanhistory, I developed what Joyce E. My wife and I chose Aniefuna because in studying Black history, we learned that our land was never lost.
This workshop seeks to equip teachers with the tools, skills, and confidence necessary to engage students in community history through inquiry. This National Endowment for the Humanities Landmarks in AmericanHistory and Culture Workshop will bring 72 teachers from all over the country to Spartanburg, South Carolina in July 2022.
History,” Journal of AmericanHistory 95:2 (September 2008); Michael L. Wilson, “Visual Culture: A Useful Category of Historical Analysis?,” in The Nineteenth-Century Visual Culture Reader , eds. Reading: Eleanor Harvey, “Introduction,” The Civil War in American Art , (Washington, D. Schwartz and Jeannene M.
Czarnecki, a 2022 graduate of the Master of Arts in AmericanHistory and Government program, wrote the paper for a “Great Texts” course taught by Professor Stephen Tootle on John Steinbeck’s The Grapes of Wrath. Lomax hoped the young men would bring back audio documents for the Archive of American Folk Song at the Library of Congress.
Franklin African AmericanHistory Research Award Thanks to a generous gift from Dr. V.P. Franklin, Penn State alumnus (‘69) and esteemed scholar of African Americanhistory, we are offering a new award this year This award is focused on supporting research in our growing Black History and Visual Culture collections.
Rowan University history professor William Carrigan has written that students are unfamiliar with Reconstruction because popular culture focuses on the Civil War — not the post-war era. history and its legacy today.” I want them to know that African-Americanhistory included progress, triumph and victory, as well as struggle.”.
A few years ago, I went out to Amherst College in western Massachusetts, where Catherine Epstein took me down to the school’s archives. Catherine Epstein: We have the papers of some relatively famous alums, and then we have lots of information just on the history of the college. Kirk: As we flip through the 2016 catalog.
And as we extend that definition to larger groups of people, as we introduce power, we begin to understand that who gets to decide what those rules are and what those norms are becomes much more complicated, and often an expression of political, economic, and cultural power. Her solution was not to denigrate the cultures of these people.
The film also highlights the federal governments reliance on African American jazz musicians as tools of cultural diplomacy in Africa during the same period. These stories are weaved together through the use of archival footage and nearly constant jazz music. Theres a constant tension to this story.
Formally, he was the director of a place that we hold very dear, the Schomburg Center for Research in Black Culture. The most important thing they did is they redefined their crime, not as crimes of nationality, of an innate culture. Her solution was not to denigrate the cultures of these people. Thanks, T.
We organize all of the trending information in your field so you don't have to. Join 5,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content